Category: Culture

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The Flower Power House Goes Dark

This is unexpected. The flower power house that I photographed on April 8, 2021 and posted here three weeks ago has gone black—as you can see from the Featured Image taken today, using Leica Q2. Vitals, aperture manually set: f/7.1, ISO 100, 1/250 sec, 28mm; 9:38 a.m. PDT.

Obviously, some kind of renovation is underway, which the mural made lively—and that was a refreshing sight in a neighborhood where the clank, clank, clank of construction obliterates the soothing chatter of birds and occasional caw of crows. In these dark days of segregation and tribalism, fueled in part by so-called social justice warriors and their opponents, the repainting is a mood metaphor. Someone cancelled the expressive art. So let’s stretch it all into a symbol of cancel culture

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Be Ready for Face Mask Discrimination

Before the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 lockdowns, my wife and I were devout Trader Joe’s shoppers. But we lost faith during the months when long lines of people waited to be blessed entrance into the small stores. Our attention turned to humbler grocery cathedrals Food4Less, Grocery Outlet, and Smart & Final, which welcomed our presence and provided as good (and often better) sustenance for considerably lower cost. But with California slowly reopening, we occasionally return to Trader Joe’s—more to reminisce while grabbing a couple bananas.

We also go there for rolls of quarters, as I did this morning. The previous two trips, when getting cash back and casually telling the cashier about my plans, I was told: “We no longer give out quarters”. But when I traipsed over to the service desk, the gracious employees willingly exchanged a Twenty for two rolls. Last time, the gentleman even opened their new cash storage safe—installed sometime during last year’s coin shortage and after the nearby Wells Fargo branch closed, and never reopened, because of the pandemic.

Something changed today.

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Pandemic Pollution

What a difference a year makes. In April 2020, when SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2), which causes COVID-19, seemed so dire and face masks were so difficult to find, I wrote about the perils of not wearing one—illustrated with a rare, discarded protective covering. Now the Centers for Disease Control and Prevention advises that vaccinated individuals no longer need to wear masks, or social distance, in most situations—meaning: “except where required by federal, state, local, tribal, or territorial laws, rules, and regulations, including local business and workplace guidance”.

Long before the unexpected change to pandemic public policy, just two days ago, face masks could be found littered all about the County. San Diego Union-Tribune spotlighted the debris along beaches in July 2020; early last month, ABC News reported that “discarded masks litter beaches worldwide, threaten sea life“; the local CBS affiliate, reporting about the April 24, 2021 “19th-annual ‘Creek to Bay Clean-up'”, explained that there has been a surge in ‘single-use plastics”— and the “biggest offender? PPE [Personal Protective Equipment], especially masks”.

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The Sweeper

Two days ago, outside the same pharmacy where on March 18, 2021 lay a man death-like, another seemingly street-living gent swept debris and refuse. If only I had context but do not. As my wife and I entered the building, he cleaned up nearby his presumed belongings partially visible in the foreground of the Featured Image. He used a fairly good-condition broom, and there was nearby one of those jumbo, yellow, industrial dustpans—similar to this Quickie model, if not the same one. The well-weathered gentleman moved slowly about his task but deliberately.

When exiting, we could see that the sweeper had moved closer to the street. As we passed, I snapped three quick hip shots, using Leica Q2. This wild portrait is best of the trio. Vitals, aperture manually set: f/5.6, ISO 100, 1/400 sec, 28mm; 2:32 p.m. PDT.

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COVID-19 Cases: Five California Counties make the Top 10

Anyone care to explain why perennially locked down California ranks so highly for SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 cases or deaths? Situation is much worse than last I looked a few weeks ago. According to data collated by John Hopkins University, Los Angeles County still tops the list for confirmed cases (more than 1.2 million) and deaths (just over 23,000). But four other Cali counties also are in the Top 10 for cases: Riverside (sixth); San Bernardino (eighth); San Diego (ninth); and Orange (tenth). That’s right. Half. Only one county from Florida: Miami-Dade (fourth).

More disturbing, since I checked on March 11, 2021, California’s case fatality rate rose to 1.61 percent, which is comparable to Florida’s 1.63 percent—and the Sunshine State is largely open; Spring Break is underway, too. Four California counties are among the top 11 for deaths: Los Angeles (first); Orange (ninth); San Bernardino (tenth); and Riverside (eleventh). Miami-Dade is seventh.

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What Have We Become?

During my thirteen-and-a-half years living in San Diego, I have resisted taking any photos of the city’s thousands of homeless—whose presence is more pronounced by the day. They deserve dignity, rather than exploitation by street shooters. But, today, the sorry state of a gentlemen sprawled out nearby the entrance to a pharmacy in Hillcrest demanded attention, and mention, so here we are with a Featured Image and companion captured using Leica Q2. Vitals, aperture manually set: f/5.6, ISO 100, 1/1000 sec, 28mm; 11:02 a.m. PDT. The other is same but 1/1250 sec.

I was aghast at how casually people walked by the man, who was stretched out in death-like position facing the building. He was an obstacle that passersby moved around. No one bothered to see if he was alive (after some long observation, I detected breathing). I was immediately reminded about history lessons and news stories read during my grade school years about the USSR—people lying dead in the streets and Soviet citizens walking around them; commonplace sightings, presumably, become part of the background of life. Is that really what we have come to be in the United States of America—or in what I unaffectionately call Communist California?

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San Diego County Partly Reopens, But Not Soon Enough for Some Businesses

One year ago today, California bars, breweries, and eateries stopped serving customers indoors, shifting to delivery and take-out services only—as ordered by Governor Gavin Newsom. On March 19, 2020, he issued a “stay-at-home” order for all Californians that went into effect the next day. Restrictions would later lift only to be reimposednearly as harsh during the Thanksgiving and Christmas holidays as the pandemic‘s early-declaration days.

Today, after months of onerous prohibitions upon local businesses, San Diego County rose from the most restrictive tier, which permits malls and retailers to operate at 50-percent capacity; aquariums, churches, movie theaters, museums, restaurants, and zoos to allow customers indoors at 25-percent capacity; and gyms and hotels to operate at 10-percent capacity. Oh joy. Beat me with the stick, because it feels so good compared to the baseball bat you were whacking with.

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Fear is the Contagion

The four words of this essay’s title are exactly my reaction to learning about China’s massive quarantine for the Novel Coronavirus in late-January 2020. I warned my wife and anyone else to prepare for the spread of fear: How it would infect and disrupt distribution of goods and services; how panic would lead to supply shortages; how desperation might cause people to react violently. But following the World Health Organization declaring a pandemic, one year ago today, the outcome over 12 months is much worse than I expected.

Society didn’t suddenly break down from widespread contagion, like portrayed by Hollywood films and TV shows. Instead, the economic and social fabrics shredded over longer time, as well-meaning citizens obeyed orders to “shelter-in-place“, “social distance“, and close their businesses. My contention: When Science catches up with collated data, the forensic analysis will show that governments over-reacted with lockdowns that inflicted more harm than the virus that everyone feared. Meaning: The cure is far more damaging than the disease, which danger is overblown.

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A Plea for Continued Relevance

On March 1, 2021, as I walked along University Ave. in San Diego’s Hillcrest neighborhood, a huge banner beckoned my attention. I frequently see signs like this in apartment and house windows but nothing this large nor with Still added. I used iPhone XS to snap the companion to the Featured Image, which I captured the next day with Leica Q2 Monochrom. Vitals for the smartphone shot, which is composed as taken: f/2.4, ISO 16, 1/761 sec, 52mm (film equivalent); 9:05 a.m. PST. For the camera, aperture manually set: f/8, ISO 200, 1/400 sec, 28mm; 10:27 a.m.

Why is such a banner, with Still added, seen as necessary? The trial of former police officer Derek Chauvin is underway in Minneapolis. He is implicated in the death of George Floyd, whose alleged homicide sparked racial riots and protests in the city and across the country—with loud voices crying “defund the police” and “no justice, no peace”. Nearly ten months later, Americans have largely stopped rallying for racial reckoning—and the organization that gathered them before isn’t yet, if it ever will, marshaling masses together. Black lives still matter, but the movement apparently does not.

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Why is Hollywood Obsessed with Viral Armageddon?

I really want to know. That sentence, the title, and a short list of TV Shows about viral epidemics is as far as this post proceeded when I started it on April 26, 2016. I meant to come back many times over the nearly five years since and really regret the failure following the World Health Organization’s declaration of SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 as a pandemic on March 11, 2020.

Still contemplating writing this essay, but not getting to it, I shot and edited the Featured Image on June 11, 2017. San Diego’s Museum of Man (since then renamed to “Us”) featured exhibit “Cannibals: Myth & Reality”. With so many of the virus movies or TV series focused on Zombie apocalypses, the exhibit artwork seemed so perfect illustration. Vitals, aperture manually set: f/5.6, ISO 100, 1/1000 sec, 28mm; 2:07 p.m. PDT, Leica Q.

Half a decade later, I wonder: How much did pandemic feature films and TV shows create soil for COVID-19 to grow into a state of global fear—and, as I will opine in six days, far exceeds the real risk posed to the majority of people; whether or not they are infected? Surely, you can guess my answer.

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The Twilight Zone of Pandemic Politics

Some things go so oddly together that you must stop and regard them and wonder. Today, while walking along Shirley Ann Place in San Diego’s University Heights neighborhood, a “Recall Newsom” sign surprised me; it’s the first one seen anywhere here. My wife fixated on the Easter eggs hanging from a tree in the same yard. She missed the one thing, and I the other. Mmmm, what does that say about selective vision and being drawn to what interests you while having a blindspot for what doesn’t?

As strangely as the cheerful eggs and hopeful sign are juxtaposed, something else made the scene feel even more Twilight Zone-like: The house beyond with the American flag flew something different before the Presidential election: Old Glory with spray-painted BLM. Well, I couldn’t leave without photos, which were captured using Leica Q2. The Featured Image (warning: 27MB file), which is composed as shot, shows the street. The cropped companion brings together the three elements. Vitals, aperture manually set for both: f/5.6, ISO 100, 1/200 sec, 28mm; 12:25 p.m. PST. The other is f/2.8 and 1/640 sec.