Our July entries end with the first of three consecutive photos found using the same search term as the self-title: “The Spectator“, which German-based Marco Nürnberger captured on Feb. 17, 2017, using Nikon D7100 and […]
I Quit Nextdoor AGAIN
For the third time since joining the so-called neighborhood social network in August 2017, I write about leaving. Previously: October 2018 and July 2019. Pandemic, pets (lost ones), police, politics, and protests were all good reasons to make 2020 a grand return. Every week passes like a lifetime this year. Many of us are confined to our residences or street, because of “shelter-in-place” and “social-distancing” orders; fear of SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—infection; work-from-home requirements; job loss; or school closures. Nextdoor was a way to connect and to stay informed.
But, today, I unceremoniously deactivated my account, once more, because the mandatory “Good Neighbor Pledge” offends me. The thing popped up when I opened the News Feed—first time, this morning. To read, or do anything else, means acknowledging “I agree”. I don’t.
The Incident at Texas and University
Last night, as I pulled into Pizza Hut’s parking lot, a lady driving a SUV blocked my way. While plenty of spaces were available, she chose to wait for one right in front of the store. There, a most ramshackle man lean-lifted a walker—one without wheels—slowly advancing between the painted lines towards the sidewalk. He was so weather-worn and browned from the San Diego sun, his race wasn’t identifiable. There are people who panhandle and pretend to be homeless, but not this gent. He was beaten down and bent over, pushing snail-like forward. He genuinely lived on the streets.
Eventually, he cleared past, and the lady parked, allowing me passage to do likewise. Because of the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—pandemic, the Hut only allows one customer to enter; others wait outside. By the time I advanced on the door, the chonky SUV driver had gone inside and a petite younger woman stood before me. While waiting, I observed two unexpected happenings.
Flickr a Week 30a: ‘Hatfield Forest Lake’
We celebrate the last Sunday in July with self-titled “Hatfield Forest Lake“, which Jason Boldero captured on Nov. 16, 2018, using Canon EOS 5D and EF 17-40mm f/4L USM lens. Vitals: f/11, ISO 50, 78 […]
Carport Lettuce
This morning, my wife and I scampered down an alley behind North Ave., between Madison and Monroe, to look at new construction—a rapidly rising multi-unit building that replaces what was once a charming house with lovely yards front and back; before bulldozers leveled the lot.To our delight, further along, we discovered a suburban-style lettuce patch that someone is growing in a carport. How clever!
Like the Urban Pumpkin, the leafy plantation joins an explosion of garden projects throughout San Diego’s University Heights neighborhood. This summer’s sowings are unlike anything that I have seen in nearly 13 years living here. Could it be that people stuck at home because of the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—pandemic are using the time to garden? Perhaps some people (rightly) worry about supply-chain disruptions and food shortages savaging the country later in the year. Whatever the reason(s), inventive green thumbs are hard at work growing crops in unexpected places.
Flickr a Week 30: ‘Bengal Cricketers’
The week goes to a street shot not for what it is but for what it isn’t: The choice selection from the Photostream of Pietro Tranchida. While week-worthy, self-titled “Bengal Cricketers” isn’t the best example of his art; the eye-poppers are designated All Rights Reserved, and this series only uses images that are released under a Creative Commons copyright.
That said, there is much to like about the sporty pic—for bokeh, clarity, composition, sense of motion, and the camera used: Leica Q, which is not typically an action-associated shooter. But, hey, capable hands work wonders. Vitals: f/2.8, ISO 100, 1/1000 sec, 28mm; Sept. 20, 2017.
Welcome to COVID-Safe San Diego Zoo
My wife and I walk around our neighborhood and go to the grocery store but not much elsewhere. That’s the state of our lives, and that of many other Californians, since Governor Gavin Newsom essentially closed down the state on March 19, 2020. Subsequently, “shelter-in-place” and social distancing orders worked, or seemed to, and spread of SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—subsided. In June, California started to earnestly reopen, with restrictions placed to prevent resurgence.
But the pandemic savagely surged, shifting from older citizens to younger ones: People under the age of 40 account for about half of all new confirmed cases. One week ago, Newsom ordered partial reclosing, while Los Angeles and San Diego school districts jointly announced that kids would not return to classes as planned; for the foreseeable future, they will be instructed over the Internet.
Flickr a Week 29a: ‘Talking’
Day 217 of my 2015 series went to Pedro Ribeiro Simões for “Finally The Expected Photographer Arrived“. He returns with self-titled “Talking“, captured on August 15 of that year using Leica M9. Half-decade later, actively posting to Flickr, which he joined in June 2005, Pedro still shoots with the same rangefinder. Vitals: ISO 640, 1/180 sec, 50mm. Pedro’s moment is the Saint Clair garden, Lisbon, Portugal—the city and country where the economist resides.
The street shot takes the Sunday spot for punchy contrast, vivid colors, and what it represents in 2020: The past. Mask-wearing and “social distancing” drastically change how citizens interact in public. Imagine, for example, six-feet separating each person seated. We won’t see scenes like this one for some time.
Flickr a Week 29: ‘Oxford Street, 2019’
We greet mid-month with startling self-titled “Oxford Street, 2019“, which Sam Rodgers captured on September 8 using Fujifilm X-Pro2 and Fujinon XF16mmF2.8 R WR lens. Vitals: f/11, ISO 200, 1/500 sec, 16mm. The portrait is evocative of Sam’s street shooting style—getting down low to the subject. Before moving to San Diego, I often would lay on the pavement or sidewalk with my camera for more interesting perspective. But Californians love their dogs and let them defecate and pee everywhere; rain is too infrequent to naturally clean away the crap. So I stay on my feet.
Sam shows how changing angle and viewpoint can create character from what otherwise would be a mundane moment. He also gets in close to people, shooting wide open, and his portraits tend to be more dramatic—and clever—as a result.
COVID California: No School or Anything Else for You
Yesterday, which was when I captured the Featured Image, Los Angeles and San Diego school districts announced that students would not return to classrooms next month as previously planned. Kids will study online instead, as they had been since late March when Governor Gavin Newsom essentially closed California in response to the so-called pandemic. Also yesterday, he issued new orders that start a second statewide shutdown. Most indoor activities are prohibited; no more church services, shopping mall extravaganzas, zoo visits, gym exercising, barber haircutting, restaurant eating, or bar hoping—among many other activities and the business operations providing them.
There is nothing like the art of understatement. From the LA-SD joint statement: “This announcement represents a significant disappointment for the many thousands of teachers, administrators, and support staff, who were looking forward to welcoming students back in August. It is obviously an even greater disappointment to the many parents who are anxious for their students to resume their education. Most of all, this decision will impact our students in ways that researchers will take years to understand”.
Quack, Quack
While walking the Campus-Cleveland alley in San Diego’s University Heights neighborhood, I saw the oddest thing between Van Buren and Tyler. Yep, a rooftop reaches out, where a rubber duck demanded attention. Say, isn’t the […]
Flickr a Week 28a: ‘Exit Point’
The Sunday spot goes to self-titled “Exit Point” by Tormod Ulsberg—for color, composition, contrast, and just being interesting. He says of the shot: “About to enter the Mont Blanc Massif from Aiguille du Midi”, which […]