Category: Media

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The Cats of University Heights: Sebastian

This morning, my wife and I jaunted down Maryland Ave., on our way to The Hub for groceries. Nearly to the Washington Street bridge, in a yard with “Wildlife Habitat” sign, and lush foliage, Anne spotted a furball belly up. I shot several back-to portraits, using the Fujifilm X100F. When we returned, the feline had flipped around my way.

The Featured Image is Annie’s preferred crop. The other, below the fold is mine. Vitals on the first: f/5.6, ISO 200, 1/450 sec, 23mm. The other: f/8, ISO  200, 1/280 sec, 23mm. Time on both: 10:38 a.m. PDT, using Velvia film simulation. 

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My Comic-Con Luck Runs Out

I dreaded this day but mentally prepared—or so it seemed. San Diego Comic-Con 2017 Early Registration commenced this morning. Passes sold out in about an hour, and I got none for any of the four days or Preview Night. I attended continuously, starting in 2009—the first six years as registered press. For reasons unknown to me, SDCC did not “verify” my media status for 2015 or 2016, but I was able to register and pay for the entire event.

Open Registration is still to come, and the convention changed the press submission schedule for the July 19 (Preview Night) – 23 event. Past years: December. Now it’s end of April. Before the new week starts, I will resubmit legitimate materials that, if my luck isn’t exhausted, might lead to press certification and attendance. 

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The Cats of University Heights: Henry

The Fujifilm X100F and I are still getting acquainted, bringing big digital lifestyle change: always-carry. The compact camera is lightweight and unobtrusive attached to ONA Lima strap, such that I sling it and bring it with ease and capture the moment where iPhone 7 Plus would miss. I only lugged larger Fuji X-T1 when planning to use it, thus making the Apple smartphone my primary street camera. That all changed February 28. The new digicam, with its 24.3-megapixel APS-C sensor and fixed f/2 lens, is classic—for style and shooting. I previously owned the original and preceding T model.

Rushing out for a twilight walk on March 9, I spotted, not for the first time, a tiger-striped cat in the yard at Campus and Monroe. Our eyes met yet again, around the same time of day; he lurked where he had several weeks before, cast in the shadows. I shot Featured Image at 6:09 p.m. PST—about 20 minutes after sunset. Except for straightening, the JPEG is unaltered from the X100F. Vitals: f/2, ISO 3200, 1/26 sec, 23mm. Despite its f/1.8 aperture, based on past efforts, iPhone 7 Plus would have botched the shot—or using flash to set focus, scared off the feline.

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Scooter Booter

Did you know that mopeds typically are bigger air-polluters than cars or trucks? Kind of diminishes their mystique, don’t you think? Yeah. Yeah. But I would still consider riding (and owning) one. Some newer models’ emissions are cleaner (and, yes, that’s a justification).

I shot this scooter nearby the bridge that crosses Washington Street to The Hub shopping plaza, on March 2, 2017, at 11:41 a.m. PST, using Fujifilm X100F, which settings were changed to those used by photographer Kevin Mullins, with Classic Chrome film simulation. Vitals: f/4, ISO 400, 1/950 sec, 23mm. 

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My Fujifilm X100F Acros Romp

I see a fair number of professional photographers raving about Fuji’s black-and-white simulation, which I finally gave a try while walking the neighborhood today. Gotta say, as an admitted amateur, I am impressed by Acros—available on the X-Pro2, X-T2, and X100F—but more for what it enables: To shoot things that I otherwise wouldn’t; stepping back and looking differently. There are reasons why some mirrorless digital cameras are right for the street.

Take the Featured Image. Numbers on a building? I wouldn’t have bothered if not for Acros, which adds surprising dynamism by taking away something—color. The capture isn’t a favorite, honestly, but there’s something pleasing about the tone—the mood—that makes harsh shadows and sheering sunlight more palatable. Vitals: f/4, ISO 200, 1/2000 sec, 23mm; 8:42 a.m. PST.

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Lemonade Stand

The Fujifilm X100F is now my nearly-always outdoor companion—a role iPhone 7 Plus had filled. The camera is compact and light and comfortably slings over the shoulder attached to the ONA Lima strap. Earlier today, my wife and I walked down Maryland Ave. toward The Hub plaza in Hillcrest. Along the way, we passed a lemonade stand, with some kids fundraising for the local elementary school, Alice Birney. They had already raised $60 when I snapped the pic, at 1:15 p.m. PST. Somebody paid more than the requested 25 cents a cup. Hehe.

The Featured Image is a crop of the original, which is visible below the fold. Both versions are unaltered, except for horizontal cropping to the first and straightening of both. The visual cue is different in each, though. The first is aligned vertically with the lemonade stand and the original against the house in the background. 

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How Did It Come to This?

Surely somewhere in the collapse of retailer American Apparel there is a metaphor appropriate for the policy platform put forth by Donald Trump. The President talks about bringing jobs back to the United States and renegotiating the North American Free Trade Agreement. Ironically, with AA, we see the demise of an iconic, hip “Made in the USA” brand, with its remaining assets being sold to Canadian-based Gildan. What’s up with that? Eh?

The Featured Image, and the pic following below the fold, tells a different story: Recent remembrance of another American Apparel, which allure popped pop culture’s cherry, for coolness and sex-appeal. On May 8, 2010, the retailer’s San Diego store held a rummage sale that drew long lines that wrapped around the block such that the end overlapped the beginning. I captured the moment with the Sigma DP2s. What a change in 7 years—and not just for the one clothier. Last year, local company Sports Chalet went out of business, around the same time as national chain Sports Authority. The Limited is shuttering all its stores, and Macy’s nearly 70. Should we blame China or, hehe, Amazon

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Fujifilm X100F

Today, UPS delivered a new toy, from Wolfe’s Camera—my first acquisition there, because everywhere else was out of stock (backordered)—via Amazon. I had originally ordered the Fujifilm X100F on announcement day, Jan. 19, 2017, from Adorama, but foolishly, and accidentally, cancelled on February 16, when the digicam was supposed to release (turned out to be a week later, instead). For now, the new Fuji is companion to the X-T1, which will take secondary street photography role, as I shoot more frequently.

Passing of my father-in-law, who required lots more care than either my wife or I would admit, means more available time for other things. Creative endeavors top the list. Additionally, eye surgery last summer rejuvenated my vision, renewing interest in amateur photography and returning me to professional writing. The X100F will be a documentary tool supporting both efforts. That’s not to complain about the X-T1, which is a fantastic dSLR-like mirrorless—to be used whenever I need interchangeable lenses (there are three in my camera bag). 

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After the Rain

In nearly 10 years living in San Diego, I have not seen such lush, inviting foliage as visible this Winter—or what I call late Summer (the other two seasons are early Summer and mid Summer). Typical yearly rainfall is 25 cm (9.9 inches). Through yesterday’s massive storm, totals exceeded that amount, or more than 150 percent the annual average, according to the National Oceanic and Atmospheric Administration. Eh, so much for the Southern California drought.

Forgive my botanical ignorance, regarding the Featured Image, the leaves are from the tree adjacent to the stairs leading down from our apartment. I couldn’t resist a quick shot as my wife and I headed out for an afternoon walk, using Fujifilm X-T1 with Fujinon XF35mmF2 R WR lens. Vitals: f/5.6, ISO 200, 1/80 sec, 35mm. I had set the camera for street shooting beforehand. 

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The Cats of University Heights: Kit

On, Jan. 30, 2017, as my wife and I walked down the alley behind Campus Ave. approaching Madison, we spotted a frisky young kitty in a window. No way could we resist stopping to say hello to this cutie, whom I nickname Kit. I shot a half-dozen quickies using iPhone 7 Plus. I little-bit blame the bright, blinding sun for obscuring my vision and obliterating the screen for the Featured Image‘s weak composition.

The second photo gives better perspective of the window. Vitals for the closeup:  f/1.8, ISO 20, 1/833 sec, 3.99mm. The other is same except for shutter: 1/791 sec. 

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Grado GS1000e

After Grado Labs shipped to me the GS1000e headphones, but before they arrived, I realized my mistake. Big sound comes in matching size. So used to the Brooklyn-based company’s signature on-ear designs, I somehow overlooked that the pricey Statement Series audiophile cans are over-ear and overly large. It’s all about the earcups and pads. The RS1e, which I previously owned and sold, measure 17 x 8 x 19 cm (6.69 x 3.15 x 7.48 inches). The GS1000e: 23.11 x 8.89 x 23.88 cm (9.1 x 3.5 x 9.4 inches). As I feared, the Grados look enormous on my head, unbecoming. But, Hell, I accept the indignity of a big slab of iPhone against my face—why fuss?

Size isn’t the only difference from other Grados. I don’t hear the classic audio signature, but something else. Something better. Out of the box, with no burn-in, sound is smooth, expansive, and detailed. Well-rounded. Finely balanced. The open-air, over-ear styling truly is circumaural, spreading soundstage in placement you can close your eyes and see. Feel. There is an audio authenticity unlike any other headphones ever to touch (or cover) my ears—and that’s with less than 10 hours use. Cans like these improve with age; burn-in is everything.

BTW, I used the Fujifilm X-T1 with Fujinon XF35mmF2 R WR lens to shoot the Featured Image, which I considerably edited to remove some of the yellowish tint from the Jan. 25, 2017 evening capture (8:26 p.m. PST). Vitals: f/4, ISO 5000, 1/60 sec, 35mm.