Tag: street photography

Photo by Joe WilcoxFeb 24, 20196:14 am

The Cats of University Heights: Mao

The Alabama cat contingent continues, with the thirty-first sighted along the street between its boundaries of Adams and Lincoln. Yesterday, as we walked to Smart & Final, my wife saw a putty-tat scurry among parked cars across the roadway. I pulled around Fujifilm GFX 50R, with attached Fujinon GF63mmF2.8 R WR lens, and approached the building, which is the same one where lives the kitty I call Dizzy. The shorthair retreated to a spot before the apartment complex’s security gate, which access to me was blocked by the mailman filling boxes.

He left. Feline and human regarded one another. A few meows later, the shorthair let me move in close to offer pats and to read the name tag (Mao). Snap. Snap. Two satisfying shots later, a quandary came: Should I let Mao inside the courtyard, by way of the unsecure security door? I pulled slightly open, and the friendly furball nosed forward. I closed in doubt, then let Mao through. The kitty crossed to a stair and climbed to the second level, where home awaited. (I hope.)

Photo by Joe WilcoxFeb 18, 20196:31 am

The Cats of University Heights: Tony

The Fujifilm GFX 50R, paired with Fujinon GF63mmF2.8 R WR lens, delivers outstanding image quality; today’s cropped Featured Image and fuller-size companion demonstrate the camera’s capabilities. Rather than use a telephoto, I prefer to shoot with a prime lens on a camera that can capture lots of detail, allowing me to crop-in, or recompose, during post-production. The 50R is an IQ over-achiever, and its handling and ergonomics suit my shooting style, too.

I encountered the sleepy white beauty along Golden Gate somewhere between Cleveland and Maryland. Snowball—nickname my wife suggested—is the thirty-seventh feline found behind glass (and/or screen) and usually looking out rather than snoozing. The main portrait is cropped from the other, to spotlight the incredible detail the medium-format camera captures. Vitals, aperture manually set: f/5.6, ISO 100, 1/210 sec, 63mm; 9:25 a.m. PST, yesterday.

Photo by Joe WilcoxFeb 15, 20196:07 am

The Cats of University Heights: Siamese Twins

On Feb. 1, 2019, as I walked down Monroe where it hugs the canyon behind Maryland, a bonded pair presented on adjoining properties. I captured several portraits, using Leica Q, planning to return for closer-up shots. I would see the chunkier beastie again, doing its business in another yard—and, well, even felines deserve some dignity, if not their owners. No photo.

While preparing to add the Siamese Twins to the series, using the Leica Q portraits, FedEx delivered the Fujifilm GFX 50R camera and Fujinon GF63mmF2.8 R WR lens. I intended the medium-frame shooter to replace my departed full-frame Leica M10, which a Mexican wedding photographer purchased four months ago. But the Fuji is considerably larger than imagined, and I strongly considered boxing up without even one shot and returning.

Photo by Joe WilcoxFeb 14, 20196:01 am

The Cats of University Heights: Valentine

Some kitties pull your heartstrings—to somber notes—as did this black and white seen yesterday along Campus Avenue, at the same property where lives the grey that I call Blue. The putty-tat earns its nickname for the day being profiled and for me thinking when looking at its face: “Be mine”, like the text on one of those candy hearts.

Valentine also has the distinction of being the first cat appearing in the series shot using the Fujifilm GFX 50R, which I received four days ago, and Fujinon GF63mmF2.8 R WR lens. Vitals for the Featured Image: f/5.6, ISO 100, 1/70 sec, 63mm; 9:13 a.m. Same for the other, but 1/100 sec.

Photo by Joe WilcoxFeb 13, 20193:38 pm

The Cats of University Heights: Mewl

Wagering a guess, the shorthair that I call Mewl is a pregnant female. She was needy and noisy—hence the nickname—when my wife and I encountered the kitty along Spalding Place on Feb. 6, 2019. We approached from Madison Avenue through the alley between Park and Georgia, when we saw her walking from street to sidewalk. She turned when I pulled out Google Pixel 3 and loudly and nearly continuously meowed as she came up to us.

I spent some time tweaking the Featured Image and its companion, particularly for highlights and shadows. Vitals: f/1.8, ISO 58, 1/1466 sec, 4.44mm; 10:43 a.m. PST. I let Google Photos auto-tune the second pic, for comparison sake. To my eyes, the first is more color accurate, as captured by the smartphone. The other has a more yellowish hue. Vitals: f/1.8, ISO 57, 1/1565 sec; 4.44mm; 10:43 a.m.

Photo by Joe WilcoxFeb 12, 20199:06 pm

The Barber of Seville

The Fujifilm GFX 50R is meant to replace Leica M10, with which I parted ways four months ago. The camera arrived yesterday afternoon, and I unboxed it last night—in disbelief. The thing is ginormous! Perhaps had I read PetaPixel story “How the Fujifilm GFX 50R Compares in Size to Popular Cameras“, my choice would have been different. The medium format shooter appealed for image quality, rangefinder-styling, and straightforward ergonomics—and all three attributes satisfy straight out of the box. I am pleased. But I don’t know about the size, though. I chose the GF63mmF2.8 R WR as my one—and so far only—lens for the GFX 50R. Applying the crop factor, the Fujinon glass is about 50mm, full-frame equivalent.

This morning, I grabbed the 50R, which is surprisingly comfortable to handle (rather than being cumbersome, as the bulk might suggest), for a photo walk. I arrived at Park Blvd and Monroe Avenue, in San Diego’s University Heights neighborhood, just as my barber opened shop. Explaining about the new camera, I asked to take his portrait, and he kindly obliged.

Photo by Joe WilcoxFeb 10, 20193:54 pm

The Joy Ride

Classify this story in the category of surprising Sunday dramas. Painters have been working on our apartment building and parking their lift truck along the street. Around 11:45 a.m. PST, I saw some stranger climb onto the lift and start it up. While he wore yellow utility belts that gave the aura of authority, his presence was suspicious, because: Neither he nor his buddy was one of the three painters; his companion drove a nondescript white utility truck, while the painters’ vehicle is branded and red; and he initially fumbled around like someone unfamiliar with the controls.

When the dude unparked the lift, I wondered: Is he stealing it? Off he drove down the street, with his companion following behind in the white truck. This is my neighborhood, it’s a sleepy Sunday, and I am more curious than a cat. I had to follow, first on foot and then by car. The pair drove about 1.8 km (1.1 miles) through University Heights to Rhode Island Ave., which is nearby an area called The Point and overlooks a canyon leading into commercial area Mission Valley below.

Photo by Joe WilcoxFeb 9, 20196:24 am

The Cats of University Heights: Shy

Happy Caturday! Meet our thirty-sixth behind-the-window watcher, whom I have seen several times over the past few weeks. During the portraiture session a couple days before the Featured Image, a young man returning home said that was his kitty, Shy, looking out. None of the shots, taken with Google Pixel 3, precisely auto-focused on the shorthair.

But on Feb. 3, 2019, with Leica Q, I could manually focus just right. Vitals, aperture manually set: f/5.6, ISO 100, 1/320 sec, 28mm; 11:14 a.m. PST. Shy lives in the same apartment complex as Honey Bunny, who was the 11th cat to appear in the series. Shy is number 244. BTW, Veruca lives on the same block, along Meade.

Photo by Joe WilcoxFeb 5, 20191:11 pm

The Cats of University Heights: Brick

Feline sightings along Panorama are infrequent. Among the 243 profiles since the series‘ start in October 2016, this is only the third from the drive that horseshoes to Adams Ave. at both ends. Brick—nicknamed for the wall behind—joins Herbie, the Love Bug and Roadie. Will there be more?

Few months ago, I saw the black shorthair in the same vicinity before it disappeared into the bamboo along the canyon. Brick presented once more, finally, briefly in a yard on Jan. 30, 2019. I used Leica Q to capture the Featured Image, which RAW DNG file underwent extensive editing to emphasize highlights, pull back shadows, and boost whites to make the dark fur more visible. Vitals, aperture manually set: f/4, ISO 100, 1/320 sec, 28mm; 9:38 a.m. PST.

Photo by Joe WilcoxFeb 4, 20195:11 pm

The Cats of University Heights: Calm

While walking down Mission Avenue on the afternoon of Jan. 19, 2019, I came upon a handsome feline sitting on cement-stone steps in statuesque repose, unfettered by passing people, cars, or dog walkers and their beasts. The kitty surprised, as I hadn’t seen him (or her) on the street before. She (or he) presented on the several following days, on the same property and others.

The shorthair earns nickname Calm, for demeanor. I used Leica Q for the Featured Image and its companion—the latter on the 21st. Vitals, aperture manually preset for street shooting: f/5.6, ISO 200, 1/60 sec; 28mm; 4:20 p.m. PST. The other is same, except for ISO 100 and 3:13 p.m.

Photo by Joe WilcoxJan 27, 201912:16 pm

The Cats of University Heights: Shadow, Too

For years, I have wondered about a house on Monroe Avenue, around the corner from where live Luci, Maven, Night, and Peso because of the kitty decorations in the yard. This morning, while passing by, my curiosity met the cat: the series‘ thirty-fifth behind-the-window watcher. Initially, I stopped to gawk but not to photograph because something felt a little too intrusive about the setup and my peering inside from the sidewalk behind the lens.

But before reaching the cross street, I turned about. As I lifted Leica Q to manually focus, a couple walking dogs passed behind me. The gent gleefully yelled: “Oh, that’s Shadow!” To which, I asked: “How do you know?” “We know the owner”, he answered, adding that there is a companion cat named Charlie.

Photo by Joe WilcoxJan 18, 20196:05 am

The Cats of University Heights: Monarch

Black kitties are the most difficult to identify, particularly from a distance. Our newest inductee was spotted on Sept. 15, 2018 in the same yard as Skull, the fourth feline to participate in the series (October 2016). Next door, at the Butterfly House, another Halloween cat, Wink, made an appearance nearly a year later (August 2017). Are they all the same, or three different shorthairs? From the various photos, they look distinct enough to me. But who can say?

The Featured Image is one of the last captured with Leica M10, which I sold a few weeks later. Last night, someone bought the other of my two Leica lenses—90mm / f4.0 Macro Elmar—which I used for this portrait. The Blackie earns nickname Monarch, for location seen and timing of this profile; keepers of the butterfly refuge recently relocated to Hawaii. Vitals: f/4, ISO 200, 1/90 sec, 90mm; 6:29 p.m. PDT.