Category: Storytelling

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Forever Autumn

It is juxtaposition time—autumn leaves to contrast yesterday’s Spring sunflower. I used Canon EOS 20D to capture the Featured Image on Nov. 5, 2005. Vitals: f/3.5, ISO 800, 1/125 sec, 110mm; 4:14 p.m. EST. Image is presented as straight RAW-to-JPEG conversion, which means no alteration; composed as shot.

Reviewing this site’s posts, I prolifically blogged during November 2005—despite my demanding, full-time job as a trade analyst. Some of my most personally iconic musings were written during that month. Here’s a shortlist, in order of publication:

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Where Will Apple Store Go Next?

I should write a long missive about Apple Store’s 20th anniversary. But my essay from five years ago today serves up the core information. Please read that one for my reflection on the grand opening and what then CEO Steve Jobs meant the retail operation to be and what it actually became.

More significant than being a singular event, Apple Store’s opening represented one of four risks taken in 2001 by the fruit-logo company during a devastating recession. While competitors massively pulled back, such as Gateway shuttering stores, Apple made investments that culminated in release of the first iPhone six years later. Besides retail: iTunes (January); Mac OS X (March); iPod (October). From them evolved the logistics and manufacturing infrastructure, research and development, sales, services, and software that culminated in the smartphone that transformed Apple from a struggling PC company into a tech titan.

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Tragedy Beneath the Golden Arches

Overnight, an assailant shot and killed a 59 year-old man in the parking lot outside the McDonald’s at El Cajon Blvd and Texas Street in University Heights. Shootings are rare, if ever, in my San Diego neighborhood, so the incident is shocking. As I write, little is publicly known—other than police seeking a white man in his 40’s driving a SUV. Given the number of traffic cams—at the least of surveillance—the vehicle’s license plate could be identified.

I know the McDonald’s well. When still alive, my father-in-law liked to eat lunch there—especially Fillet Fish Fridays, when sandwiches were discounted. My wife or I might drive him there two or three days a week. Before renovations that started around the time of his death in January 2017, I would see many regular customers, such as the three older gents gathered to gab—often for hours—or another man who religiously read his Bible. They vanished with the remodeling, which did away with the cozy booths and replaced them with trendy tables that encourage eating and leaving rather than hanging around.

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The Sweeper

Two days ago, outside the same pharmacy where on March 18, 2021 lay a man death-like, another seemingly street-living gent swept debris and refuse. If only I had context but do not. As my wife and I entered the building, he cleaned up nearby his presumed belongings partially visible in the foreground of the Featured Image. He used a fairly good-condition broom, and there was nearby one of those jumbo, yellow, industrial dustpans—similar to this Quickie model, if not the same one. The well-weathered gentleman moved slowly about his task but deliberately.

When exiting, we could see that the sweeper had moved closer to the street. As we passed, I snapped three quick hip shots, using Leica Q2. This wild portrait is best of the trio. Vitals, aperture manually set: f/5.6, ISO 100, 1/400 sec, 28mm; 2:32 p.m. PDT.

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The Bearded Tree is Gone!

And that’s not the worst of the devastation. Nearly three months ago, I wondered about the fate of the mighty palm after high winds ripped fronds from the trunk. Then, unexpectedly, on the First Day of Spring, under the direction of cute cottages’ new owners, men with chainsaws started clearcutting a lush landscape of shrubs, succulents, and trees around the buildings. The bearded tree is the last to go.

Every nearby neighbor to whom I have spoken about the destruction of the urban jungle is shocked. No one can fathom why the massive deforestation. Late this afternoon, one homeowner, who has lived in University Heights for more than two decades, told me that water can’t be the reason. He and his wife maintain a lovely backyard of flowers, plants, and trees, without wasteful watering.

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This Building…

Is gone—and two others with it, a residence and auto-repair shop. The owner waged a war with graffiti artists, which he (or she) eventually won. The place was repainted several times, despite appearing to be derelict, before being leveled by (presumably) new owners. By all appearances, another fine cathedral of unaffordable housing will rise in the San Diego neighborhood of University Heights, at the corner of El Cajon and Mississippi across the street from BLVD North Park (located in UH, not NP).

I shot the Featured Image on Feb. 25, 2018, using Leica Q; many times since then, I planned to update with something showing more of the corner. Vitals, aperture manually set: f/5.6, ISO 100, 1/200 sec, 28mm; 1:19 p.m. PST. Best I can offer for now is the first of two companion captures—a stuffed bear, sitting on the diagonal corner. Photo comes from Leica M (Typ 262) on March 31, 2018. Vitals, aperture manually set: f/9.5, ISO 200, 1/350 sec, 50mm; 11:47 a.m. PDT.

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Make More Movies Like This

Superhero movies don’t really appeal to me, which is major reason I haven’t bothered watching “Justice League” (2017) or any other films in the genre. The so-called “Snyder Cut” debuted on HBO Max, March 18, 2021. Two days ago, the Twitterverse—heck, the universelearned that a black-and-white “Justice is Gray” version is “coming soon” to the streaming service. I love it!

During the early 1990s, I was an editor working for a general-interest magazine based in Washington, DC. I conceived, commissioned, and edited stories for print. Observed trend among successful freelancers: They would take one body of reporting/research and repackage it as different stories for several publications and their respective audiences. It’s a thrifty approach to news gathering that maximizes potential revenue for the writer, improves relationships with print (in this decade online) editors, and expands audience reach. Why shouldn’t filmmaking be something similar?

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A Valentine’s Day Story

A favored walking route from Old Trolley Barn Park is the alley between Alabama and Florida streets. Occasionally, Pace (pronounced paw-chay, according to his owner) appears—and, on some days, Coon or Ghost (both nicknames) in an adjacent, expansive yard. Today, I passed by a woman either emptying recyclables or trash (not sure which) and she wished: “Happy Valentine’s Day”. She was cheerful, which emotion a higher-pitch voice accentuated. Her apartment overlooks the alley, and she recognized me from looking out her windows on other days.

The 35-year-old Salt Lake City native has resided in San Diego for about a decade. We talked about the terrible expense of living here, mainly housing, which she offsets by having a roommate and adopting a minimalist lifestyle. Governor Gavin “Gruesome” Newsom’s several SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 lockdowns put her on unemployment twice, which led her to become entrepreneurial, rather than depressed and destitute. Adapting her mom’s recipe, she bakes and sells chocolate chip cookies by the dozen—$15 a box.

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Nature Shaves the Bearded Tree

Over the past year or so, I regret not having taken photos of trees that were unceremoniously and needlessly cut down. There is a relentless culling that makes no sense when Southern California society obsesses about Climate Change. Aren’t carbon-dioxide-breathers that exhale oxygen good for the health of the planet and everything living on it? Ah, yeah. So why mercilessly hack them to pieces?

Another tree in my San Diego neighborhood of University Heights is in peril of being chopped down—but unlike the others maybe for legitimate safety reasons. Few months ago, during heavy rains and winds, some of the dead fronds covering the trunk ripped away about fourth-tenths the distance to the top. Overnight and throughout this brisk Monday, winds raged 48-64 kilometers per hour (30-40 mph) with fairly consistent gusts to 97 kph (60 mph). The few fallen fronds are now many, exposing the trunk. When viewed a half-block or more away, the top portion of the tree leans from the section laid mostly bare.

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The Bee Tree

I am not a photographer and bear no illusions about ever being one. My composition skills are raw, and rarely cooked, and I lack the post-production sense that someone else would use to create art. My camera, the Leica Q2, is professional grade and seemingly beyond my skills. But I handle the all-in-one well enough, and it is satisfying to use—enjoyable and versatile.

I am a storyteller, however, and use photos to mark moments or to illustrate a  narrative. Take as example the Featured Image (warning: 30GB file), which I captured today along Georgia Street between Lincoln and Polk in San Diego’s University Heights neighborhood. Vitals, aperture manually set: f/5.6, ISO 100, 1/320 sec, 28mm; 11:36 a.m. PST. The original was portrait, but I cropped square.

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Flickr a Week 52a: ‘Where Mozart Lives’

Happy Christmas! For months, I searched for a holiday-specific, Creative Commons-licensed photo and found none that wowed me. Instead, we go non-traditional but other timely—when bow and string made merry music and smartphone distractions were beyond the imaginations of even the most prolific, prophetic science fiction writers.

Roman Boed captured self-titled “Where Mozart Lives” on Dec. 28, 2017, using Leica M and Summilux-M 1:1.4/50 ASPH lens. The EXIF doesn’t identify specific camera model. Vitals: f/1.4, ISO 3200, 1/60 sec, 50mm. The string quartet portrait is a keeper for atmosphere, composition, film-like texture, and timelessness (just ignore the lamp’s pull-string).