The Louisiana parade follows Huck with another: Ash (yep, real name). The grey and white lives on the next block, where he plays territorial tippy-toe with Bandit and buddies up to Nelson; the two are street mates, not house companions, which makes their getting-along a surprising relationship.

My quest to photograph Ash has been challenging—so much that my failure over several days to snag even a single focused shot greatly contributed to the decision to abandon Sigma fp and return for refund. Even Leica Q2, which produced the Featured Image and companions, missed the mark. The best composed portrait puts the focus point somewhere else, and the cat is completely blurred. Finally, on Jan. 23, 2020, when Ash made his best appearance yet, patience and manual focusing got good enough photos. They’re not as sharp as I would want, being close crops, but the banter with Nelson makes them keepers—and I would have been monumentally miffed if they hadn’t been.

Along most sidewalks in the neighborhood, trees—the majority palms—line the streets. Telephone poles, and their accompanying tangle of above (or below) ground wires, are relegated to alleys behind. The fifty-forth feline found behind door or window illustrates just how ugly and knotted the high-wires can be. There’s a metaphor here somewhere about California culture’s obsession with all things pretty and manicured being a facade for frightful chaos within.

On Jan. 17, 2020, using Leica Q2, I captured the Featured Image of this sleeping, sunning beauty in the alley between Georgia and Park Blvd. First sighting was weeks earlier, however. I waited for the kitty to nap during a time of day that provided maximum illumination with minimal shadows. Vitals, aperture manually set: f/5.6, ISO 100, 1/640 sec, 28mm; 3:15 p.m. PST.