Tag: street photography

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Do Not Pass Go

I vaguely recall capturing the Featured Image, during my early days with the Olympus PEN E-P1, and being dissatisfied. But in reexamining the photo tonight, something about the juxtaposition of red and blue colors and the odd composition appeals to me. Perhaps there’s some subconscious message blaring from the overly-large STOP. Vitals: f/9, ISO 200, 1/250 sec, 42mm; 6:48 p.m. PDT, July 19, 2009.

I have no idea the exact location other than a reasonable guess of somewhere on the West side of Park Blvd. in San Diego’s University Heights Neighborhood.

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Her Heart Soars

As explained nearly three weeks ago, I tend towards thrifty shooting with a digital camera—in this instance Leica Q2. The Featured Image is only one of three captures—the other two at f/5.6 and f/8, with the latter greatly expanding the field of focus. But in the end, wisely or not, I chose the photo made wider open, because of how the painted bricks lead the eyes to the graphic. Vitals, aperture manually set: f/2.8, ISO 100, 1/2500 sec, 28mm; 10:28 a.m. PDT, April 12, 2021. In post-production, I used DxO Perspective Efex to tweak the geometry.

The evening before, I encountered two of my neighbors walking their dog. The husband said that I would want to stop by his house “and bring your camera”. You can see why. The couple live on Meade below Georgia, and they are long-time University Heights residents—about 22 years, if I recall rightly.

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The Bearded Tree is Gone!

And that’s not the worst of the devastation. Nearly three months ago, I wondered about the fate of the mighty palm after high winds ripped fronds from the trunk. Then, unexpectedly, on the First Day of Spring, under the direction of cute cottages’ new owners, men with chainsaws started clearcutting a lush landscape of shrubs, succulents, and trees around the buildings. The bearded tree is the last to go.

Every nearby neighbor to whom I have spoken about the destruction of the urban jungle is shocked. No one can fathom why the massive deforestation. Late this afternoon, one homeowner, who has lived in University Heights for more than two decades, told me that water can’t be the reason. He and his wife maintain a lovely backyard of flowers, plants, and trees, without wasteful watering.

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The Cats of University Heights: Schroeder

The series‘ 399th feline is also the 63rd seen on Alabama between boundaries Adams and Lincoln. Why baffles me. But that works out to 16 percent of the total. Louisiana sightings rise, likewise Madison, but far fewer than the other street.

My wife and I happened upon Schroeder in the alley between Alabama and Mississippi just as his owner popped open a gate looking for him. He resides in the same home as Peanut and Rocky—and the mighty Monkey before he passed away three years ago.

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This Building…

Is gone—and two others with it, a residence and auto-repair shop. The owner waged a war with graffiti artists, which he (or she) eventually won. The place was repainted several times, despite appearing to be derelict, before being leveled by (presumably) new owners. By all appearances, another fine cathedral of unaffordable housing will rise in the San Diego neighborhood of University Heights, at the corner of El Cajon and Mississippi across the street from BLVD North Park (located in UH, not NP).

I shot the Featured Image on Feb. 25, 2018, using Leica Q; many times since then, I planned to update with something showing more of the corner. Vitals, aperture manually set: f/5.6, ISO 100, 1/200 sec, 28mm; 1:19 p.m. PST. Best I can offer for now is the first of two companion captures—a stuffed bear, sitting on the diagonal corner. Photo comes from Leica M (Typ 262) on March 31, 2018. Vitals, aperture manually set: f/9.5, ISO 200, 1/350 sec, 50mm; 11:47 a.m. PDT.

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One Woman’s Treasure

A few days ago, an overstuffed beanbag—suitable for someone of great heft—appeared in the alley between Alabama and Mississippi at Monroe in University Heights. San Diego residents frequently leave unwanted things for foragers to take. What’s that saying about one person’s trash being another’s treasure?

Today, my wife and I happened to pass by, seeing a new addition: The Vitamaster Slendercycle prominently placed in the Featured Image and companions. Vitals, aperture manually set: f/5.6, ISO 100, 1/400 sec, 28mm; 9:50 a.m. PDT. The second, composed as shot, is 1/200 sec, 9:51 a.m. I used Leica Q2 for both. The last, added after posting, is a closer crop of the first.

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The Cats of University Heights: Mr. Frankie

While walking along Louisiana Street and talking to my sister in Florida (yes, the state), I spied a woman with a leashed orange kitty up ahead. Sis got the “call you back in 2 minutes” request; I moved along and asked permission to take photos of two-year-old Mr. Frankie. He posed between leash-pulls, trying to chase a butterfly, and I used iPhone XS to make his portraits. Vitals for the Featured Image and companion: f/1.8, ISO 25, 1/3086 sec, 26mm (film equivalent); 9:51 a.m. PDT, today.

Bunch of cats live on that one block, currently: AngeloDaniel Tiger, Darth Mew, FluffyHuck, Peach, and Pepto—that I know of. Possibly passed away, moved away, or kept indoors: GingerJedi, Milo, and Princess Leia. Some of these, or others, come by to visit Mr. Frankie, outside his home—and some territorial squabbling occurs among them, his owner says.

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The Cats of University Heights: Leery

I continue to review older, unpublished photos and reconsider some of them for the series. The Featured Image, captured on June 28, 2017 using Leica Q, earns a place after I played around with several cropped compositions. Vitals, aperture manually set: f/5.6, ISO 100, 1/125 sec, 28mm; 4:45 p.m. PDT. Nickname: Leery.

I don’t even recall taking this one but see why the rejection. Nearly four years later, subtle improvements in my craft and adapted attitudes about what makes an acceptable portrait lead me to look differently at the grey being partially obscured. The foliage, grass, and shadows are emotional elements—immediately transportive for anyone whose house and yard looked anything similar. Something else appealing: The scene doesn’t look, or feel, anything like San Diego—no cactus, palm trees, or succulents.

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A Tree Grows

When looking through Nokia N95 photos to illustrate the previous post, I happened upon a palm portrait that my wife, Anne Wilcox, made using the cameraphone on Sept. 14, 2008. I startled seeing how much shorter was the tree then than I remember seeing recently. So, today, I ambled over to the corner of Adams and North, in my San Diego neighborhood of University Heights, for a fresh pic.

The Featured Image shows how the palm has risen since she shot it (left). Vitals: f/2.8, ISO 100, 1/250 sec, 6mm; 4:10 p.m. PDT. I used iPhone XS for the taller tree (right). Vitals: f/1.8, ISO 25, 1/1992 sec, 26mm (film equivalent); 1:25 p.m.

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The Cats of University Heights: Spooky

Since seeing this black on Oct. 19, 2019, I have watched for a reappearance. Call me unlucky, for there being none; the Featured Image isn’t the desired portrait; profile view is okay but barely. I used iPhone XS to make the moment, which location isn’t shared because of the visible address number. Neighbors deserve some respect of privacy. Vitals: f/2.4, ISO 16, 1/1261 sec, 52mm (film equivalent); 5:18 p.m. PDT.

The shorthair earns nickname Spooky, for Halloween Cat color and nearby holiday decorations. Spooky is the sixty-fifth feline seen behind door or window.

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How I use a Camera Differently Than a Smartphone

On March 16, 2021, approaching the Vermont Street Bridge, I stopped for a single shot using Leica Q2 Monochrom. When wielding the camera, or my regular (e.g. color sensor) Q2, my habit is this: Stop, compose, capture one or two photos—single more likely, as is the case with the Featured Image. Vitals, aperture manually set: f/5.6, ISO 200, 1/400 sec, 28mm; 11:21 a.m. PDT.

When handling iPhone XS, I point and shoot, with little to no regard for composition—typically taking four to six shots, minimum. One reason: The display isn’t easy enough to see in the bright San Diego sunlight. Additionally, when there is motion, such as a frisky feline for my “Cats of University Heights” series, the smartphone proves more able, because of its smaller size but big screen for fast, on-the-fly composition.